selavy oh: the galleries: final show

Thursday, August 13, 2009

the galleries: final show

machinima by penumbra carter

contribution for the final five show of Brooklyn Is Watching, on display in SL at East of Odyssey and in RL at Jack The Pelican Presents in NYC (picture of the gallery setup).
contributing artists:

Arahan Claveau – "Adrift"
Dekka Raymaker – "Artbortion"
comet Morigi – selected works
Oberon Onmura – "Fight for Order"
Misprint Thursday – "Suspended Hang-Ups"

see also mab macmoragh's soup blog, comet morigi's blog, moncherie afterthought's blog post at BiW, and the interview with jay at the npirl blog, and it was mentioned at art:21 by nettrice gaskin.

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statement

virtual worlds (VWs) can be used as medium to create art.

this art is real, just as any other art.

not everything created by using a VW is art.

art in a VW is not distinguished from other content by craftsmanship.

when words such as sculpture are used in the context of a VW, they imply a reference to another medium, thus confining the artist in her use of the medium.

the avatar as representation of the artist may be art.

the space of a VW is perceived as a representation of a three-dimensional space.

this perception does not imply that artistic practice using a VW resembles artistic practice in the physical world, just as a painter works differently from a sculptor.

the artist may use any of the possibilities of the VW, from scripting and building to communicating.

if code instructions are used, and they proceed from ideas about art, the result is not a script or program.

the space of a VW is a representation of social space.

the spectator acts as participant in art that uses VWs as medium.

art in VWs has to be perceived in its genuine form to be fully appreciated.

these sentences express my personal opinion.

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Thursday, August 13, 2009

the galleries: final show

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